The aim of the performance is not to shock on the most superficial level. Yet from the very first moments when the actors and the live band make their dynamic appearance on stage, the spectators are shaken in their composure, their sense of superiority and their preconceived beliefs. 

Refuge is an extraordinary piece in the way it utilises movement material and, thanks to the outstanding performance of the actors, communicates a clear message.

„… result is a miracle of precision, technics and discipline. " Nina Vangeli on performance Together Forever!

Critism of contemporary society is common in performing arts, but few artists can do so delicately and suggestively as Farm in the Cave. 

It is one of the best physical theater in the Czech Republic.

Farm in the Cave´s profile, broadcast Theatre lives!, ČT 2, January 14, 2012

Funny, well thought out, compelling, bringing us new experiences… Farm in the Cave knows how to do it!

Like all other projects of Farm in the Cave the performance The Theatre/Divadlo is counting with the fantasy of the spectators.

Theatre is the never-ending story of man, his love, passion, jealousy, revenge, death and vanity...

A body which life has left, a puppet with torn strings...

THE GUARDIAN, 12.08.2006 “It begins in clatter and cacophony and ends in silence. This is Beckett rendered into movement and song…The piece has a strange hallucinatory quality. In the shadows, figures step in each other’s footprints; fights break out as if in slow motion… As befits a show about being an outsider, Sclavi is something shattered and fragmented, always happening on the jagged edges rather than in the centre.”

A Slovak innovator shines at 2011´s Europe Theatre Prize bash…

THE TIMES, 21.08.2006 “Drawing on authentic letters and fragments of polyphonic songs form Slovakia and Ukraine, a ravenously sensitive and physically electric cast of eight follows a poetic, rather than literal, plotline about the emigrant experience. In Viliam Docolomansky’s impressive staging, their collective voice is both howl and lullaby.”

Metro (UK), 18.08.2006: „Drawing on fragments of song, verse and anecdote from Slovakia’s rich history of the emigrant experience, the place is not so much a narrative as a tonal cacophony of a people’s grief, fury and desolation… Performed with tender symbolism, intimate poetry and a pounding passion, this is all too rare example of theatre you instantly want to see all over again.”

UNIDRAM, POTTSDAMER NEUESTE NACHRICHTEN, Germany, 30.10.2006 „This theatre hurts, because it is able – directly in front of the eyes of the audience – to reveal the crime and quilt both of the past and our immediate presence. That continuity is especially terrifying – because it is veiled into a seductively beautiful cover. A forgotten railway station? In this railway station, the world awaits.“