Metro (UK), 18.08.2006: „Drawing on fragments of song, verse and anecdote from Slovakia’s rich history of the emigrant experience, the place is not so much a narrative as a tonal cacophony of a people’s grief, fury and desolation… Performed with tender symbolism, intimate poetry and a pounding passion, this is all too rare example of theatre you instantly want to see all over again.”

UNIDRAM, POTTSDAMER NEUESTE NACHRICHTEN, Germany, 30.10.2006 „This theatre hurts, because it is able – directly in front of the eyes of the audience – to reveal the crime and quilt both of the past and our immediate presence. That continuity is especially terrifying – because it is veiled into a seductively beautiful cover. A forgotten railway station? In this railway station, the world awaits.“

REFLEX, Czech Republic, 1-7.01.2007 „Docolomanský together with other gifted ´cavers´ brought to light the deceptive ache of Slovak history – the participation of Slovaks in the deportation, that is killing of Slovak Jews. In the hallucinatory pictures, where the dead meet the alive, past shame lasciviously rubs against present shame. A masterfully and deeply dug finger in the wound of collective (un)memory!“